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Tuesday, December 11, 2007

Photoshop CS3 Photo Effects Cookbook, Second Edition

Author: Tim Shelbourne
Publisher: O'Reilly
Title: Photoshop CS3 Photo Effects Cookbook
Subtitle: 53 Easy-to-Follow Recipes for Digital Photographers, Designers, and Artists
Second Edition: December 2007
ISBN 10: 0-596-51504-9
ISBN 13: 9780596515041
Pages: 176

With 53 easy-to-follow recipes, Photoshop CS3 Photo Effects Cookbook shows you how to use Photoshop CS3 to simulate classic camera and darkroom techniques and special effects-without making you first learn Photoshop inside and out. Packed with hundreds of full-color images, step-by-step instructions, and many practical tips, this book-and Adobe Photoshop CS3-are all you need to create professional graphic art effects from almost any image source.
Full Description

Whether you're just getting getting into Photoshop or have been using it for a while, you know that it's a many-faceted application that can be somewhat overwhelming to master. With 53 easy-to-follow recipes, Photoshop CS3 Photo Effects Cookbook shows you how to use Photoshop CS3 to simulate classic camera and darkroom techniques and special effects--without making you first learn Photoshop inside and out.

The book covers:

  • Using the improved Vanishing Point, Lens Blur, and Black & White filters
  • Creating graphic art effects: posterization, watercolor, pen and ink
  • Working with lighting effects: neon glows, lens flares, fire and flame effects
  • Simulating natural phenomena: rain, snow, and lightning
  • Adapting traditional techniques: film grain, contrast masks, hand-tinting, cross-processing
  • Adding motion blurs and other special effects

Assembling multi-layered images and photomontages
Packed with hundreds of full-color images, step-by-step instructions, and many practical tips, this book-and Adobe Photoshop CS3- are all you need to create professional graphic art effects from almost any image source.


Table Of Contents
READY TO COOK 6
Introduction 8
CS3 Improvements 9
Making selections 11
Working with layers 12
Sharpening 14
Paths 16
Lighting Effects 17

TONAL AND COLOR EFFECTS 18
High-key and low-key effects 20
Psychedelic poster effect 22
Creative black and white 24
Selective coloring 26
Tone separations 28

GRAPHIC ART EFFECTS 29
Art Nouveau 32
Warhol screen-print 36
Watercolor 38
Oil painting 42
Pencil sketch 46
Pen-and-ink drawing 50
Woodcut and linocut 52

LIGHTING EFFECTS 56
Adding rays of light 58
Simulating studio lighting 60
Creating a neon sign 64
Creating a star-filled sky 66
Adding fire and flames 70
Simulating candlelight 74
Stage lighting 78
Chiaroscuro 80

NATURAL WORLD EFFECTS 84
Summer to Autumn 86
Simulating rain 88
Adding water droplets 90
Adding rainbows 92
Simulating lightning 94
Creating snow 96
Adding reflections 98
Simulating sunsets 100
Day into night 102

TRADITIONAL PHOTOGRAPHIC EFFECTS 106
Vintage Hollywood portrait 108
Sabattier and solarization 110
Adding film grain 112
Infrared photography effect 114
Cross-processing effect 116
Hand tinting 118
Duotones 120

DISTORTION EFFECTS 122
Caricatures 124
Soft focus and selective depth of field 128
Movement and motion blur effects 132
Cloning with perspective 134
Creating panoramas 136
Adding tattoos 138

TEXTURE EFFECTS 140
Using texture overlays 142
Turning a figure to stone 146
Wood textures 152
Stone textures 154
Metal effect 156
Glass effect 158
Plastic effect 162

PRESENTATION EFFECTS 164
Frame effect 166
Vignette effects 168
Painterly borders 170
Out of the frame 172

GLOSSARY 174
Index 175
Acknowledgments 176


Sample chapter: http://www.oreilly.com/catalog/9780596515041/chapter/index.pdf
Amazon Link: Photoshop CS3 Photo Effects Cookbook: 53 Easy-to-Follow Recipes for Digital Photographers, Designers, and Artists

Thursday, November 15, 2007

Wednesday, November 14, 2007

Canon U.S.A. announces new baby photo contest

Canon U.S.A., Inc., a leader in digital imaging technology, has announced a "New Baby Photo Contest" offering contestants the opportunity to share eligible images of new additions to their family, and possibly win a prize that will help to pay for future education costs.

"When a newborn is welcomed into the family, parents want to make sure every precious memory is captured and preserved," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "By entering this photo contest, parents will be able to share these joyous and once-in-a-lifetime moments with others, while also having the opportunity to win prizes that can allow them to capture more milestone events."

To kick-off the contest, Canon is teaming with renowned baby products brand, Enfamil, to include brochures and a photo book with Enfamil's diaper bag, given for free to new mothers at participating hospitals. The brochure will have more information about the contest, and even a special offer for moms who receive the diaper bag. Approximately one million of these diaper bags are expected to be distributed by April 2008.

New mothers who did not receive an Enfamil diaper bag can also enter the Canon "New Baby Photo Contest" from December 1, 2007 until May 30, 2008 by visiting www.canonestore.com/babyphoto with the ability to upload up to six eligible photos. The finalists will be announced on July 1, 2008 and the public will be able to vote for their favorite photos from among the finalists. The winner will be awarded a grand prize of $10,000, which would be applied toward the winning child's future education. In addition, 1st, 2nd, and 3rd prizes will be awarded, which include:

First Prize (Three Winners)
One (1) Canon EOS 40D Digital SLR Camera and

One (1) Canon SELPHY ES2 Compact Photo Printer
(Approximate Retail Value: $1700)

Second Prize (Three Winners)

One (1) Canon PowerShot Digital ELPH Camera and

One (1) $200 Babies R' Us Gift Certificate
(Approximate Retail Value: $550)

Third Prize (Ten Winners)

One (1) Canon PIXMA MP970 All-In-One Photo Printer and

One (1) $100 Babies R' Us Gift Certificate
(Approximate Retail Value: $400)

For more information, including rules, about the Canon "New Baby Photo Contest," please visit www.canonestore.com/babyphoto.

Wednesday, October 24, 2007

Monday, October 1, 2007

Alien Skin Software Releases Exposure 2 Film Stock Simulator and Effects Package

Alien Skin Exposure 2Alien Skin® Software (www.alienskin.com), the award-winning developer of photographic filter and effect plug-ins for Adobe® Photoshop® and other compatible host programs, today announced the release of Exposure® 2, the latest version of its industry-leading film stock simulator and effects package. Exposure 2 lets digital photographers and graphic artists enhance any digital photo by simulating the rich, organic look of film.

Developed from a detailed, scientific analysis of current and discontinued color and black and white print and slide stocks, Exposure 2 features more than 300 presets that emulate the warmth, softness, and realistic grains of film — the vivid colors of Velvia®, the natural skin tones of Portra®, and the ethereal glow of infrared — to provide new and alternative looks for fashion, wedding, magazine, event, and portrait photographers, photo hobbyists, and a wide array of creative, printing, and graphic arts professionals. Exposure 2 even simulates the retro colors of faded Polaroid®.

More sophisticated than merely adding simple digital noise, Exposure 2’s grain simulation models the size, shape, and color of real world grain, including the unique salt and pepper grain of TRI-X® and the large, intensely colorful grain of the discontinued GAF® 500. Exposure 2 grain size is automatically adjusted to image size so grain looks the same on high- and low-resolution photos. A roughness control gives Exposure 2 users subtle control over grain shape.

While other digital image products produce flat, lifeless black and white conversions, Exposure 2 also brings back the high impact of black and white film to digital photography. A simple yet flexible channel mixer interface provides subtle control over the color to black and white conversion process. Color toning, contrast, and grain add the finishing touches to turn color photographs into dramatic black and white works of art.

Beyond the ability to reproduce the look and feel of film, Exposure 2 offers a range of effects previously available only in darkrooms and photo labs, such as push and cross processing and glamour portrait softening. Exposure 2’s controls enable users to easily manage color saturation, tone, sharpness, and grain, streamlining workflow for photographers and graphic artists with one comprehensive yet easy-to-use tool.

Applying Exposure 2 settings to batches of images is easily accomplished using Photoshop Actions. Any Exposure 2 preset can be the starting point for a signature look by adjusting it to suit a particular subject. This new look can be saved as a setting for future use. All Exposure 2 settings can be deployed nondestructively in a new Photoshop layer named after the setting used. Exposure 2 supports Photoshop CS3 Smart Filters.

For ease of use, Exposure 2 settings are organized into categories, and last-used settings are remembered and highlighted. Previews are automatically scaled to fit the current window size. Multithreaded to run faster on multiprocessors or multi-core processors, Exposure 2 also easily handles 16-bit images, allowing RAW images to be manipulated at their highest quality.

For sales, marketing, and media information, please contact David Abels, director of sales & marketing, Alien Skin Software, by phone at (919) 832-4124 ext. 121 or by e-mail at press@alienskin.com. Visit Alien Skin Software on the web at www.alienskin.com.

Pricing and Availability

Exposure 2 sells for $249 USD with an upgrade price of $149 USD for registered users of Exposure 1. Online delivery is available directly on the Alien Skin website at www.alienskin.com. Exposure 2 is also available worldwide through stores, catalogs, and resellers. Free upgrades are available to purchasers of Exposure 1 who purchased on September 1, 2007 or later.

Host Requirements

Exposure 2 is a plug-in and will require one of the following: Adobe Photoshop CS2 or later, Adobe Photoshop Elements® 4 or later, Adobe Fireworks® CS3, or Corel® Paint Shop Pro® Photo XI. Exposure 2 is a Universal Macintosh® application. Live Effects in Fireworks CS3 are not supported.

System Requirements

Microsoft® Windows® users must have at least a Pentium® 4 processor or compatible and Windows XP or later. Apple® Macintosh users must have a PowerPC® or Intel® processor and Mac OS X 10.4 or later. A monitor with 1024x768 resolution or greater is required.

About Alien Skin Software

The developer of award-winning plug-ins since 1994, Alien Skin Software created the first drop shadow filter for Adobe Photoshop. Our reputation for bug-free software and fast, friendly tech support has grown worldwide throughout the years. Alien Skin continues to write and sell digital photo filters and effects that users love. For more information, visit our website at www.alienskin.com


Tuesday, September 25, 2007

Babysitter Speaks Fluent English

Babysitter Speaks Fluent English

Babysitter speaks fluent English. So then what is a driverse licence?

Thursday, September 13, 2007

Kurt Gödel and John von Neumann Two Of The Greatest Mathematicians Resting In Peace Within 10 Feet Of Each Other

John von Neumann


John von Neumann (Hungarian Margittai Neumann János Lajos; born December 28, 1903 in Budapest, Austria-Hungary; died February 8, 1957 in Washington D.C., United States) was an Austria-Hungary-born American mathematician who made contributions to quantum physics, functional analysis, set theory, topology, economics, computer science, numerical analysis, hydrodynamics (of explosions), statistics and many other mathematical fields as one of history's outstanding mathematicians.


Kurt Gödel


Kurt Gödel (IPA: [kuɹt gøːdl]) (April 28, 1906 Brünn, Austria-Hungary (now Brno, Czech Republic) – January 14, 1978 Princeton, New Jersey) was an Austrian American mathematician and philosopher.

One of the most significant logicians of all time, Gödel's work has had immense impact upon scientific and philosophical thinking in the 20th century, a time when many, such as Bertrand Russell, A. N. Whitehead and David Hilbert, were attempting to use logic and set theory to understand the foundations of mathematics.


Gödel was shy, withdrawn and eccentric. He would wear warm, winter clothing in the middle of summer. In the middle of winter, he would leave all of the windows open in his home because he believed that conspirators were trying to assassinate him with poison gas. He was a somewhat sickly man and was prescribed specific diets and medical regimens by doctors, but Gödel often ignored their advice or even would do the opposite of what his prescription indicated. This caused him to suffer further illness. In the 1940s he suffered from a bleeding ulcer, but his distrust of doctors led him to delay treatment; he risked death and was saved only by emergency blood transfusion.

Amongst his delusions was the belief that unknown villains were trying to kill him by poisoning his food. For this reason, Gödel would eat only his wife's cooking, refusing even to eat his own cooking for fear of being poisoned.

Late in 1977, Adele became incapacitated due to illness and so could no longer cook for Gödel. Due to his paranoia, he refused to eat any food at all and thus died of "malnutrition and inanition caused by personality disturbance" in Princeton Hospital on January 14, 1978. He weighed 65 pounds.



Google Map Location Of The Princeton Cemetery

View Larger Map

Monday, September 10, 2007

Princeton Battlefield January 3rd, 1777 Pics

Click on the pictures for a larger version

Princeton Battlefield Monument
Princeton Battlefield Monument

Princeton Battlefield Grave
Princeton Battlefield Grave

Princeton Battlefield Grave Inscription
Princeton Battlefield Grave Inscription

Near here lie buried the American and British officers and soldiers who fell in the battle of Princeton January 3rd, 1777.

Here freedom stood by slaughtered friend and foe and ere the wrath paled or that sunset died looked through the ages; then, with eyes aglow, laid then to wait that future side by side.

Alfred Noyes 1880-1958



Thomas Clarke House Front
Thomas Clarke House Front

Thomas Clarke House
Thomas Clarke House

Thomas Clarke House Shed
Thomas Clarke House Shed

Thomas Clarke House Cannon
Thomas Clarke House Cannon

Friday, September 7, 2007

Nikon Podcast #3: Exclusive Interview with John Mayer

Host Mark Ellwood interviews John Mayer about great photography, John's summer tour and the blog he's doing for Nikon Live. Music composed by Frank Ferrucci.
Nikon Podcast #3: Exclusive Interview with John Mayer

Nikon Podcast #2: Special Events & Group Photography

Join Mark Ellwood and photography expert Steve Heiner as they talk about group pictures and shooting at special events. Music composed by Frank Ferrucci.
Nikon Podcast #2: Special Events & Group Photography

Nikon Podcast #1: All About D-SLR

Join Mark Ellwood and photography expert Steve Heiner as they discuss the world of digital SLR cameras. Music composed by Frank Ferrucci.
Nikon Podcast #1: All About D-SLR

Thursday, September 6, 2007

Manure...A True Story

Got this from a friend

Manure...A True Story

Manure: In the 16th and 17th centuries, everything had to be transported by ship and it was also before commercial fertilizer's invention, so large shipments of manure were common.

It was shipped dry, because in dry form it weighed a lot less than when wet, but once water (at sea) hit it, it not only became heavier, but the process of fermentation began again, of which a by product is methane gas. As the stuff was stored below decks in bundles you can see what could (and did) happen.


Methane began to build up below decks and the first time someone came below at night with a lantern, BOOOOM!


Several ships were destroyed in this manner before it was determined just what was happening .

After that, the bundles of manure were always stamped with the term "Ship High In Transit", which meant for the sailors to stow it high enough off the lower decks so that any water that came into the hold would not touch this volatile cargo and start the production of methane.

Thus evolved the term " S.H.I.T. " , (Ship High In Transport) which has come down through the centuries and is in use to this very day.

You probably did not know the true history of this word.

Tuesday, September 4, 2007

Friday, August 31, 2007

Albert Einsteins House and Sculpture

Einstein's House






View Larger Map


Sculpture near the Princeton Battlefield Monument



Appointments Not Always Necessary, A Great Cut Is!

Patton, Patton, Patton And Patton



Patton, Patton, Patton and Patton are laying here.

Google Map Location

Thursday, August 30, 2007

Road Closed?



Don't you think this is weird?

I Told You I Was Sick




William H. Hahn, JR. buried in his large family plot, is known for the epitaph on his flat headstone saying "I told you I was sick". Thought to be in failing health, he ordered the inscription shortly before his death

Wednesday, August 29, 2007

Monday, August 27, 2007

Running The New York City Marathon Is Not easy

Hey Mario ;-)


Someone is suffering ;-(

Keeping Marathon Runners Hydrated

Volunteers at work


Look at all those sponges

Crazy Runner


Take Better Pictures with the Nikon Digital Learning Center On Flickr

Better your photography skills with tips and techniques from expert photogs by joining the Nikon Digital Learning group on Flickr

Nikon Digital Learning Center on Flickr

Saturday, August 25, 2007

Jim Morrison's Grave In Paris (Pere Lachaise Cemetery)







With these pictures it is only appropriate that we post the lyrics from Jim Morrison's Graveyard Poem

It was the greatest night of my life
Although I still had not found a wife
I had my friends right there beside me
We scaled the wall
We tripped through the graveyard
Ancient shapes were all around us
No music but the wet grass
felt fresh beside the fog

Two made love in a silent spot
one chased a rabbit into the dark
A girl got drunk & balled the dead
And I gave empty sermons to my head

Cemetery cool & quiet
Hate to leave your sacred lay
Dread the milky coming of the day
I´d love to stay
I´d love to stay
I´d love to stay

Paris Grave Crespin du Gast (Père-Lachaise Cemetery)

Taken in Paris at the Père-Lachaise Cemetery (Cimetière du Père-Lachaise)
Click on pic for larger image

Paris Grave Crespin du Gast

Friday, August 24, 2007

Twins In Bumbo Baby Sitter Seats

My twins sitting in Bumbo Baby Sitter seats.
These seats are very good for young infants. The twins in the picture are less than 3 months old
amazon sells them in a variety of colors (Blue, Green, Lilac, Yellow and more)




Nikon Corporation announces the introduction of the new DX-format digital SLR, Nikon D300


Nikon Corporation is pleased to announce the introduction of the new DX-format digital SLR, Nikon D300.

Combining innovative Nikon technologies with advanced new features and precision engineering, the D300 delivers the ultimate blend of DX-format performance.


The sheer imaging power of a new 12.3 effective-megapixel DX Format CMOS image sensor with integrated A/D converter; the precision processing and astounding speed of Nikon's original EXPEED digital image processing concept; the unprecedented focusing speed and precision of a new 51-point AF system; Nikon's innovative new Scene Recognition System for optimal autofocus, auto exposure and auto white balance performance; the composition and focusing ease of a large new pentaprism viewfinder that provides full 100% frame coverage; an expansive 920,000-dot, high-resolution 3-inch LCD monitor with wide viewing angle; near-instant power-up and immediate response; all with the advantages of Nikon DX-format agility and system expandability. Meet the new generation digital SLR camera that blends all these advanced features into one fine package – the Nikon D300.



Major Features

New DX-format CMOS image sensor with 12.3 effective megapixels
The D300 features a new 12.3 effective megapixel DX-format CMOS image sensor. It not only produces fine details with sharp resolution, but also provides a broad light sensitivity range of ISO 200 to ISO 3200, (plus LO 1 for IS0 100 equivalent and HI 1 for IS0 6400 equivalent settings; Auto ISO control is also available). The CMOS sensor's integrated A/D converter features the ability to select between 12-bit and 14-bit conversion, making it possible to shoot using high-quality 14-bit NEF (RAW) format. All internal processing is handled in full 16-bit color, color, benefiting from a fine balance between performance with outstanding speed that defies this level of precision and natural-looking images that benefit from faithful color and tone reproduction. Lateral chromatic aberration is also reduced.
EXPEED – Nikon’s image processing concept embodied
As Nikon’s new digital image-processing concept – featuring the core ideas of our image creation and processing – EXPEED incorporates the optimized knowhow and technologies we have accumulated throughout our long history while receiving users’ requirements. It realizes diversified functions to ensure high picture quality and high-speed image processing.
* For details, see “Nikon’s original digital image-processing concept EXPEED”

High-speed continuous shooting
The D300 is capable of shooting at a rapid 6 fps*1, and as fast as 8 fps*2 when using the Multi-Power Battery Pack MB-D10, in continuous bursts of up to 100 shots*3 at full 12.3 megapixel resolution. The Nikon D300 is also the first digital SLR to support next-generation high-speed card UDMA, which enables high speed recording.
*1 When using one EN-EL3e battery installed in the camera
*2 When using batteries other than Rechargeable Li-ion Battery EN-EL3e
*3 NORMAL – LARGE image setting, using a SanDisk Extreme IV CompactFlash 1GB card

Immediate response
Near-instant power-up within 0.13 seconds, a shutter release time lag of a mere 0.045 seconds*, and viewfinder blackout time of approximately 0.1 seconds contribute to optimized all-around performance that lets photographers respond to any sudden shutter opportunities.
* When shooting in JPEG, TIFF, or 12-bit NEF (RAW) formats

Scene Recognition System
By improving the 1,005-pixel RGB sensor, which was first incorporated in the Nikon F5, information from the sensor can be utilized for auto exposure, auto white balance and autofocus. For example, 3D tracking in AF realized by using the Scene Recognition System tracks subject position, and automatically shifts AF points to be used according to the subject’s movement within the frame. This system also contributes to improved accuracy of auto exposure and auto white balance.
* For details, see “Scene Recognition System for more accurate autofocus, auto exposure and auto white balance”

AF system employing high-density 51-point AF
Multi-CAM 3500DX autofocus sensor module featuring 51 AF points is incorporated. 15 cross-type sensors located in the center provide subject detection capability with lens apertures as small as f/5.6. 51 AF points can be utilized in various focus area modes selected according to subject condition. In many aspects, the functions of AF points are linked with the Scene Recognition System to offer superior subject detection and focus tracking performance. A single AF point can be selected from 51 or 11 focus points. Dynamic AF mode enables appropriate focusing by detecting subjects with a zone containing many AF points located densely. In this mode, the number of AF areas, including user selected AF points and backup points, can be selected from either 9, 21 or 51. In addition, newly employed “3D tracking” mode shifts the focus point automatically to respond to the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position in selecting AF points.

Picture Control System
Picture Control System is a new function to enable selection and adjustment to create pictures easily according to skills of users from novices to professionals. When settings are the same, even with different cameras, you can get the same picture tone. Picture Control System offers four fundamental setting options – Standard, Neutral, Vivid and Monochrome – enabling image parameters (sharpening, tone compensation, brightness, tone and saturation) to be easily adjusted and customized.
* For details, see “Picture Control System’s image optimization functions enable easy adjustments”

Two Liveview modes available
Liveview function enables shooting while confirming subjects in the LCD monitor.
In Handheld mode, which allows recomposing of the frame prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points including 15 cross-type points is activated.
Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. In this mode, focal-plane contrast AF on a desired point within a specific area is possible. Remote view, focusing and shooting are also made possible on a PC (wired or wirelessly).

Large, bright viewfinder that achieves 100% frame coverage
TThe D300's new eye-level pentaprism viewfinder aids composition and adds assurance to focus operations by providing full 100% frame coverage and large 0.94x magnification, as well as an eyepoint of 19.5 mm (at -1.0 m-1) and built-in diopter adjustment range of -2 to +1 m-1.

Durability that will go the distance
Testing to 150,000 cycles stands as firm testament to the durability of the new shutter unit for the D300. Its magnesium alloy chassis combines light weight with solid durability, while the body features an enhanced sealing system that helps protect against moisture and dust.

Active D-Lighting
D-Lighting incorporated in the conventional digital SLRs enables editing after the image is taken. In addition to the D-Lighting, newly developed Active D-Lighting is employed in the Nikon D300.
Active D-Lighting lets users choose the intensity from among “High”, “Normal”, “Low” or “Unchanged” prior to shooting. The conventional method of simply expanding dynamic range is not employed in compensation. Instead, localized tone control technology is utilized to prevent images from looking flat with low contrast. As a result, “lost highlights” and “lost shadows” are well compensated while maintaining proper contrast.

Self-cleaning Sensor Unit for efficient dust reduction
The D300 is the first Nikon D-SLR camera to employ a Self-cleaning Sensor Unit. Four different resonance frequencies vibrate the optical low pass filter in front of the image sensor to shake particles free and reduce the presence of dust.

Exclusive Wireless Transmitter WT-4 (optional)
The WT-4 supports wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates thumbnail mode as a new function.
It realizes wireless connection of cameras with a PC, enabling thumbnail display of images taken with up to five of them and downloading of images selected. Also, by using Camera Control Pro 2 (optional), wireless remote view/control shooting is made possible with the D300’s Liveview function.
* For details, see “WT-4 / Camera Control Pro 2 Software”

Multi-Power Battery Pack MB-D10 (optional)
The optional new Multi-Power Battery Pack MB-D10 supports 3 types of batteries and features sequential power supply with auto-switching to the battery installed inside the camera body. When attached, it also enables high-speed continuous shooting at a rate of 8 fps*1 for up to 100 consecutive shots*2.


*1 When using batteries other than the Rechargeable Li-ion Battery EN-EL3e
*2 NORMAL – LARGE image setting, using a SanDisk Extreme IV CompactFlash 1GB card

Other Features


  • The large top control panel (46 x 20.8 mm) features an improved interface with lettering that can be switched to best match shooting conditions
  • HDMI Output supports HDTV display
  • Supports GPS devices via optional GPS Adapter Cord MC-35
  • Retouch Menu provides handy access to Filter Effects, Trimming, Red-eye correction, Image overlay and other in-camera editing functions
  • Software Suite CD-ROM included





Nikon Digital SLR Camera D300 Specifications

Type of Camera

Single-lens reflex digital camera

Effective Pixels
12.3 million

Image Sensor
CMOS sensor, 23.6 x 15.8 mm; total pixels: 13.1 million; Nikon DX format

Image Size (pixels)
4,288 x 2,848 [L], 3,216 x 2,136 [M], 2,144 x 1,424 [S]

Dust-reduction
System Clean image sensor,
Image dust-off data acquisition (Capture NX required)

Sensitivity
ISO 200 to 3200 in steps of 1/3, 1/2 or 1 EV with additional settings of approx. 0.3, 0.5, 0.7 and 1 EV (ISO 100 equivalent) under ISO 200, and approx. 0.3, 0.5, 0.7 and 1 EV (ISO 6400 equivalent) over ISO 3200
File System Compliant with DCF 2.0, DPOF and Exif 2.21

Storage System
NEF 12-bit or 14-bit (uncompressed, lossless compressed or compressed RAW)
TIFF (RGB)
JPEG: JPEG baseline-compliant

Storage Media
CompactFlash (Type I/II, compliant with UDMA), Microdrives

Release Modes
1) Single frame [S] mode
2) Continuous low speed [CL] mode: 1 to 7*1 frames per second
3) Continuous high-speed [CH] mode: 8 frames per second*1, 6 frames per second*2
4) Liveview [LV] mode
5) Self-timer mode
6) Mirror-up [Mup] mode
*1. When using AC Adapter EH-5a/EH-5 or Multi-Power Battery Pack MB-D10 with batteries other than Rechargeable Li-ion Battery EN-EL3e
*2. When using Rechargeable Li-ion Battery EN-EL3e (When shooting in Continuous-servo AF (C), Shutter-Priority Auto [S] or Manual [M] exposure modes, at a shutter speed of 1/250 sec. or faster with other settings at default)

White Balance
Auto (TTL white balance with 1,005-pixel RGB sensor), seven manual modes with fine-tuning, color temperature setting, white balance bracketing possible (2 to 9 frames in increments 1~3)

Liveview Hand-held mode: TLL phase-difference AF with 51 focus areas (15 cross-type sensors)
Tripod mode: focal-plane contrast AF on a desired point within a specific area

LCD Monitor 3-in., approx. 920,000-dot (VGA), 170-degree wide viewing angle, 100% frame coverage, low-temperature polysilicon TFT LCD with brightness adjustment

Playback Function
1) Full frame
2) Thumbnail (4 or 9 segments)
3) Zoom
4) Slideshow
5) RGB histogram indication
6) Shooting data
7) Highlight point display
8) Auto image rotation

Delete Function
Card format, All photographs delete, Selected photographs delete

Video Output
NTSC or PAL; simultaneous playback from both the video output and on the LCD monitor available

HDMI Output
Supports HDMI version 1.3a; Type A connector is provided as HDMI output terminal; simultaneous playback from both the HDMI output terminal and on the LCD monitor not available

Interface
Hi-Speed USB

Text Input
Up to 36 characters of alphanumeric text input available with LCD monitor and multi-selector; stored in Exif header

Lens Mount
Nikon F Mount with AF coupling and AF contacts

Compatible Lenses
1) DX AF NIKKOR: All functions possible
2) D-/G-type AF NIKKOR (excluding IX NIKKOR lenses): All functions possible (excluding PC Micro-NIKKOR)
3) AF NIKKOR other than D-/G-type (excluding lenses for F3AF): All functions except 3D Color Matrix Metering II possible
4) AI-P NIKKOR: All functions except Autofocus, 3D Color Matrix Metering II possible
5) Non-CPU AI NIKKOR: Can be used in exposure modes A and M; electronic range finder can be used if maximum aperture is f/5.6 or faster; Color Matrix Metering and aperture value display supported if user provides lens data

Picture Angle
Equivalent in 35mm [135] format is approx. 1.5 times lens focal length

Viewfinder
SLR-type with fixed eye-level pentaprism; built-in diopter adjustment (-2.0 to +1.0 m-1)

Eyepoint
19.5 mm (-1.0 m-1)

Focusing Screen
Type-B BriteView Clear Matte screen Mark II with superimposed focus brackets and On-Demand grid lines

Viewfinder Frame Coverage
Approx.100% (vertical and horizontal)

Viewfinder Magnification
Approx. 0.94x with 50mm lens at infinity; -1.0 m-1

Autofocus
TTL phase detection, 51 focus points (15 cross-type sensors) by Nikon Multi-CAM 3500DX autofocus module; Detection -1 to +19 EV (ISO 100 at 20°C/68°F); AF fine adjustment possible
Focal plane contrast [in Liveview (Tripod) mode]

Lens Servo
1) Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus tracking automatically activated according to subject status
2) Manual focus (M) with electronic rangefinder

Focus Point
Single AF point can be selected from 51 or 11 focus points
Liveview (Tripod mode): Contrast AF on a desired point within entire frame

AF Area Mode
1) Single point AF
2) Dynamic Area AF [9 points, 21 points, 51 points, 51 points (3D-tracking)]
3) Automatic-area AF

Focus Lock
Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button

Exposure Metering System
TTL full-aperture exposure metering using 1005-pixel RGB sensor
1) 3D Color Matrix Metering II (type G and D lenses); color matrix metering II (other CPU lenses); color matrix metering (non-CPU lenses if user provides lens data; metering performed)
2) Center-weighted: Weight of 75% given to 6, 8, 10, or 13 mm dia. circle in center of frame or weighting based on average of entire frame (8 mm circle when non-CPU lens is used)
3) Spot: Meters approx. 3 mm dia. circle (about 2.0% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)

Metering Range
1) 0 to 20 EV (Matrix or center-weighted metering)
2) 2 to 20 EV (Spot metering) (ISO 100 equivalent, f/1.4 lens, at 20ºC/68ºF)

Exposure Meter
Coupling Combined CPU and AI

Exposure Modes
1) Programmed Auto [P] with flexible program
2) Shutter-Priority Auto [S]
3) Aperture Priority Auto [A]
4) Manual [M]

Exposure Compensation
±5 EV in increments of 1/3, 1/2 or 1 EV

Exposure Lock
Exposure locked at detected value with AE-L/AF-L button

Exposure Bracketing
Exposure and/or flash bracketing (2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV)

Picture Control System
Four setting options: Standard, Neutral, Vivid, Monochrome; each option can be adjusted

Shutter
Electronically-controlled vertical-travel focal plane shutter, 1/8,000 to 30 s. in steps of 1/3, 1/2 or 1 EV, Bulb

Sync Contact
X=1/250 sec.; flash synchronization at up to 1/320 sec. (FP) adjustable with Built-in Speedlight or optional Speedlight (will reduce GN)

Flash Control
1) TTL: TTL flash control by 1,005-pixel RGB sensor
Built-in Speedlight, SB-800, SB-600 or SB-400: i-TTL balanced fill-flash and standard i-TTL flash
2) AA (Auto Aperture-type) flash: Available with SB-800 used with CPU lens
3) Non-TTL Auto: Available with Speedlights such as SB-800, 28, 27, and 22S
4) Range-priority manual flash; available with SB-800

Flash Sync Mode
1) Front-curtain Sync (normal)
2) Red-eye Reduction
3) Red-eye Reduction with Slow Sync
4) Slow Sync 5) Rear-curtain Sync

Built-in Speedlight
Manual pop-up with button release

Guide number
(ISO 200, m): approx. 17 (manual 18) (ISO 100 equivalent, m): approx. 12 (manual 13)

Flash Compensation
-3 to +1 EV in increments of 1/3, 1/2 or 1 EV

Accessory Shoe
ISO 518 Standard hot-shoe contact with safety lock provided

Sync Terminal
ISO 519 standard terminal

Creative Lighting System
With Speedlights such as SB-800, SB-600, SB-400, SB-R200, supports Advanced Wireless Lighting, Auto FP High-Speed Sync, Flash Color Information Communication, modeling flash and FV lock

Self-timer
2 to 20 seconds duration

Depth of Field Preview
When CPU lens is attached, lens aperture can be stopped down to value selected by user (A and M mode) or value selected by camera (P and S mode)

10-pin Terminal
1) GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable and GPS Cable MC-35 (optional)
2) Remote control: via 10-pin terminal

Supported Languages
Chinese (Simplified and Traditional)
Dutch
English
Finnish
French
German
Italian
Japanese
Korean
Polish
Portuguese
Russian
Spanish
Swedish

Power Source
One Rechargeable Li-ion Battery EN-EL3e, Multi-Power Battery Pack MB-D10 (optional) with one Rechargeable Li-ion Battery EN-EL4a, EN-EL4 or EN-EL3e or eight R6/AA-size alkaline (LR6), Ni-MH (HR6), lithium (FR6) batteries, or nickel-manganese ZR6 batteries, AC Adapter EH-5a (optional)

Tripod Socket
1/4 in. (ISO 1222)

Custom Settings
48 settings available

Dimensions (W x H x D)
Approx. 147 x 114 x 74 mm (5.8 x 4.5 x 2.9 in.)

Weight Approx.
825 g (1.82 lbs.) without battery, memory card, body cap, or monitor cover

Operating Environment
Temperature: 0-40°C/32-104°F, Humidity: under 85% (no condensation)

Supplied Accessories(may differ by country or area)
Rechargeable Li-ion Battery EN-EL3e, Quick Charger MH-18a, USB Cable UC-E4, Video Cable EG-D100, Strap AN-D300, LCD monitor cover BM-8, Body cap, Eyepiece Cap DK-5, Rubber Eyecup DK-23, Software Suite CD-ROM

Main Optional Accessories
Multi-Power Battery Pack MB-D10, Wireless Transmitter WT-4, Magnifying Eyepiece DK-21M, AC Adapter EH-5a, Capture NX Software, Camera Control Pro 2



CompactFlash and Extreme are registered trademarks of SanDisk Corporation. Products and brand names are trademarks or registered trademarks of their respective companies.

Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. August 2007