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Canon today strengthens its EF-S series of lenses with the launch of the EF-S 18-55mm f/3.5-5.6 IS and EF-S 55-250mm f/4-5.6 IS. With equivalent focal lengths of 29-88mm and 88-400mm respectively, the lenses are the first in the EF-S series to incorporate a 4-stop Image Stabilizer, dramatically extending low-light performance. Both lenses incorporate specialist optics to achieve exceptional image clarity - the EF-S 18-55mm f/3.5-5.6 IS employing an aspherical lens element with the EF-S 55-250mm f/4-5.6 IS benefiting from an Ultra-Low Dispersion (UD) lens element.
The lenses are built to fit exclusively on those EOS cameras with an EF–S lens mount – including the new EOS 40D, EOS 30D, EOS 400D and earlier models.
EF-S 18-55mm f/3.5-5.6 IS
The EF-S 18-55mm f/3.5-5.6 IS is a lightweight general-purpose zoom lens that is ideal for handheld photography in a wide range of lighting conditions. Offering high optical quality, the lens has an 11 element, 9 group construction, including one aspherical element for crisp corner-to-corner detail. The lens maintains a closest focusing distance of just 25cm throughout the zoom range, giving photographs the flexibility to frame up close when needed.
EF-S 55-250mm f/4-5.6 IS
Compact and lightweight, the EF-S 55-250mm f/4-5.6 IS offers the longest zoom range in the EF-S series to date. The 88-400mm equivalent focal length opens up new framing possibilities for owners of EF-S mount cameras shooting wildlife, sports and travel photography. Optical quality is assured through a UD element, which minimises chromatic aberrations that could otherwise cause reduced contrast and colour fringing.
4-stop Image Stabilizer
Canon’s latest optical Image Stabilizer (IS) technology provides up to 4-stop compensation for image blur caused by camera shake and slow shutter speeds. Photographers normally shooting handheld at 1/250 sec can switch on IS to obtain a similarly steady and blur-free result with a shutter speed of just 1/15 second. The inclusion of automatic panning detection makes it easier for photographers to track wildlife and other moving subjects. To ensure consistently accurate results at all zoom positions, the IS system within each lens has been optimised for that lens’ specific focal length range. Since the IS system is based within the lens, the results are visible through the viewfinder when framing the image.
Appealing background blur
Both lenses also incorporate a circular aperture. This helps create an even background blur when depth of field is minimised, giving photographers more creative options for portraiture and similar types of photography.
Super Spectra coatings
Both models employ Canon’s patented Super Spectra coatings to suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
E-TTL II flash integration
The lenses transmit distance information to the E-TTL II flash system of all current model digital EOS cameras, improving flash exposure metering when used in conjunction with Canon’s range of EX Speedlite flash units.
In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
Additional images
Tuesday, August 21, 2007
Canon expands EF-S range with two new lenses (EF-S 18-55mm f/3.5-5.6 IS and EF-S 55-250mm f/4-5.6 IS)
Canon announces ultra-wide angle EF 14mm f/2.8L II USM
Canon today releases its ultra-wide EF 14mm f/2.8L II USM lens. With the shortest focal length in Canon’s renowned professional L-series range, the lens boasts a 114° angle of view; exceeded only by Canon’s EF 15mm f/2.8 Fisheye.
The newly designed lens incorporates aspherical and UD elements to achieve the very highest standards of image fidelity. With the latest Ultrasonic Motor for fast and accurate auto focus and the addition of dust and moisture sealing, it replaces the enormously popular EF14mm f/2.8L USM.
The EF 14mm f/2.8L II USM features:
L-series construction
The L-series is Canon’s flagship professional lens range, designed and built to meet the needs of the most demanding professional photographers. The optics of the EF 14mm f/2.8L II USM and other L-series lenses represent the pinnacle of optical performance, enabling focal length/speed/quality combinations not readily attainable using traditional optical technologies.
New perspectives
The lens’ ultra-wide 114° angle of view can be used by photographers to dramatic effect. Effective for photographing buildings and other large subjects where the photographer cannot get enough distance to include everything in the frame, the EF 14mm f/2.8L II USM is also ideal for small interiors. The lens’ closest focusing distance of just 20cm allows photographers to get remarkably close to subjects for creative wide-angle shots.
Aspherical and UD elements
The EF 14mm f/2.8L II USM incorporates two aspherical lens elements to ensure high corner-to-corner sharpness throughout the focus range and at wide apertures. Pristine image quality is further assured through the incorporation of an Ultra-low Dispersion (UD) element, used to suppress chromatic aberration and associated colour fringing.
Super Spectra coatings
In addition to optimised lens shaping to reduce reflections and the use of anti-reflective material inside the lens barrel, the EF 14mm f/2.8L II USM employs Canon’s patented Super Spectra lens element coatings. These suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
The EF 14mm f/2.8L II USM includes an integrated petal hood and redesigned lens cap.
In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
The newly designed lens incorporates aspherical and UD elements to achieve the very highest standards of image fidelity. With the latest Ultrasonic Motor for fast and accurate auto focus and the addition of dust and moisture sealing, it replaces the enormously popular EF14mm f/2.8L USM.
The EF 14mm f/2.8L II USM features:
- Extreme resolving power, superb contrast and sharpness across the frame through the use of aspheric and UD lens elements
- Large f/2.8 aperture for low-light shooting
- Latest Ring-type Ultrasonic Motor (USM) for fast and near silent auto focus with excellent holding torque
- Full-time manual focus override via a large rubber ring that does not rotate during auto focus
- Super Spectra coatings and optimised lens element shaping to suppress flare and ghosting
- Large circular aperture diaphragm for good background bokeh and ‘removal’ of distracting backgrounds at wide apertures
- Lens hood and pouch included in the box
L-series construction
The L-series is Canon’s flagship professional lens range, designed and built to meet the needs of the most demanding professional photographers. The optics of the EF 14mm f/2.8L II USM and other L-series lenses represent the pinnacle of optical performance, enabling focal length/speed/quality combinations not readily attainable using traditional optical technologies.
New perspectives
The lens’ ultra-wide 114° angle of view can be used by photographers to dramatic effect. Effective for photographing buildings and other large subjects where the photographer cannot get enough distance to include everything in the frame, the EF 14mm f/2.8L II USM is also ideal for small interiors. The lens’ closest focusing distance of just 20cm allows photographers to get remarkably close to subjects for creative wide-angle shots.
Aspherical and UD elements
The EF 14mm f/2.8L II USM incorporates two aspherical lens elements to ensure high corner-to-corner sharpness throughout the focus range and at wide apertures. Pristine image quality is further assured through the incorporation of an Ultra-low Dispersion (UD) element, used to suppress chromatic aberration and associated colour fringing.
Super Spectra coatings
In addition to optimised lens shaping to reduce reflections and the use of anti-reflective material inside the lens barrel, the EF 14mm f/2.8L II USM employs Canon’s patented Super Spectra lens element coatings. These suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
The EF 14mm f/2.8L II USM includes an integrated petal hood and redesigned lens cap.
In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
Canon EOS 40D
Canon today introduces its latest digital SLR for advanced amateurs and semi-professionals: the Canon EOS 40D 10.1MP Digital SLR Camera
. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.
The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS‑1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.
“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”
Key features
. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS‑1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.
“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”
Key features
- 10.1 Megapixel APS-C CMOS sensor
- 6.5 fps continuous shooting, max. burst 75 JPEGs
- New AF system with 9 cross-type sensors
- DIGIC III processor
- 3.0” LCD with Live View mode
- EOS Integrated Cleaning System
- Clear and bright viewfinder
- Customisable Picture Style processing parameters
Speed and image quality
Canon’s third generation CMOS sensor improves on its predecessor with redesigned pixels that keep noise to a minimum. The EOS 40D maintains high image quality up to ISO 1600, expandable to H:3200 for situations where flash use is not permitted or desired. Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other light coloured objects.
The DIGIC III processor powers a burst rate of 6.5 fps, working with the image buffer to handle up to 75 Large JPEGs (17 in RAW) without pause. Images are processed at 14-bits for a greatly expanded colour depth, providing smoother gradations and exceptionally accurate colour reproduction.
New cross-type AF system
A key advancement of the EOS 40D is its new 9-point cross-type AF system. All nine AF points can achieve focus on both horizontal and vertical planes. A central AF point is capable of accurate focusing up to aperture f/2.8, with eight outer points working up to f/5.6. In response to requests, the dedicated AF Start (AF-ON) button allows photographers to execute auto focus with their thumb.
LCD with Live View mode
The Live View mode simplifies shooting from awkward angles such as ground-level macro or mounted tripod shots. The 3.0” LCD displays a real-time image in Live View mode, including a selectable grid overlay and a live histogram that simulates image exposure. The AF-ON button can be configured to flip the camera mirror momentarily and engage auto focusing. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.
Total control
The EOS 40D is fully customisable to the photographer’s shooting preferences. The mode dial contains space for three sets of user-defined settings, allowing the photographer to switch instantly between several shooting setups. A new My Menu tab provides quick access to frequently used settings, while 24 custom functions allow photographers to fine-tune camera operation and controls. The ability to change the focusing screen – with two additional screens available – adds further versatility.
For easier operation of system accessories, settings for the Speedlite 580EX II and new Wireless File Transmitter WFT-E3 can be controlled directly from the LCD.
Wireless File Transmitter WFT-E3
Also launched today is the Wireless File Transmitter WFT-E3. Built to work with the EOS 40D, the WFT-E3 enables rapid wireless image transfer to remote FTP servers, along with two-way communication through PTP and HTTP. In HTTP mode, remote users can trigger the shutter button or download images from the camera via an internet browser window. PTP mode is used for wireless remote shooting with the EOS 40D and supplied EOS Utility software.
For longer shoots, the WFT-E3 can connect directly to external hard disk drives (HDDs). And if connected to a portable GPS device, the location and time of capture is automatically added to each image as EXIF data. A convenient grip design features a main dial and shutter controls for vertical shooting, while weather resistant seals protect the unit.
Two new EF-S lenses are launched today in conjunction with the EOS 40D
- EF-S 18-55mm f/3.5-5.6 IS – a high quality, affordable standard zoom lens incorporating a 4-stop Image Stabilizer
- EF-S 55-250mm f/4-5.6 IS – a versatile telephoto zoom offering the longest focal range in the EF-S range to date as well as a 4-stop Image Stabilizer
Software
- The EOS 40D is supplied with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control.
- DPP integrates with cameras features such as Dust Delete Data and Picture Styles. Users can now also create their own custom Picture Styles with the supplied Picture Style Editor software. The camera also comes with EOS Utility, ImageBrowser/ZoomBrowser and PhotoStitch.
Canon EOS 40D specifications
List price
(body only)
• EU: € 1,299
Body material
Magnesium alloy
Sensor
• 22.2 x 14.8 mm CMOS sensor
• RGB Color Filter Array
• Built-in fixed low-pass filter (with self-cleaning unit)
• 10.5 million total pixels
• 10.1 million effective pixels
• 5.7 µm pixel pitch
• 3:2 aspect ratio
Image processor
DIGIC III
A/D conversion
14 bit
Image sizes
• 3888 x 2592 (L; 10.1 MP)
• 2816 x 1880 (M; 5.3 MP)
• 1936 x 1288 (S; 2.5 MP)
File formats
• RAW (.CR2; 14-bit)
• JPEG (EXIF 2.21) - Fine / Normal
• RAW + JPEG (separate files)
• sRAW (2.5 MP)
File sizes (approx.)
• JPEG L/Fine: 3.5 MB
• JPEG M/Fine: 2.1 MB
• JPEG S/Fine: 1.2 MB
• RAW: 12.4 MB
• sRAW: 7.1 MB
Lenses
• Canon EF / EF-S lens mount
• 1.6x field of view crop
Dust reduction
• "EOS Integrated Cleaning System"
• Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled)
• Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software
Auto focus
• 9-point TTL CMOS sensor
• All points cross-type for lenses of F5.6 or faster
• Center point additionally sensitive with lenses of F2.8 or faster
• AF working range: -0.5 - 18 EV (at 23°C, ISO 100)
Focus modes
• One shot AF
• AI Servo AF
• AI Focus AF
• Manual focus
AF point selection
• Auto
• Manual
AF assist
• Stroboscopic flash
• 4.0 m range (at center)
Metering
• TTL 35 zone SPC
• Metering range: EV 0.0 - 20 EV
Metering modes
• Evaluative 35 zone
• Partial (9% at center)
• Spot metering (approx. 3.8% at center)
• Center-weighted average
AE lock
• Auto: One Shot AF with evaluative metering
• Manual: AE lock button
Exposure compensation
• +/-2.0 EV
• 0.3 or 0.5 EV increments
Exposure bracketing
• +/- 2.0 EV
• 0.3 or 0.5 EV increments
Sensitivity
• Auto ISO (see below)
• ISO 100 - 1600
• 0.3 or 1.0 EV increments
• ISO 3200 (Enhanced H)
Auto ISO
• P, Av, A-Dep: ISO 400 - 800 (will drop to ISO 100 to avoid over-exposure)
• Tv: ISO 400 (will use 100 - 800 if required)
• M: ISO 400
• Scene modes (apart from Sport and Portrait): ISO 100 - 800
• Sport scene mode: ISO 400 - 800
• Portrait scene mode: ISO 100
• With flash (all modes): ISO 400
Shutter
• Focal-plane shutter
• 100,000 exposure durability
• 30 - 1/8000 sec
• 0.3 or 0.5 EV increments
• Flash X-Sync: 1/250 sec
• Bulb
Aperture values
• F1.0 - F91
• 0.3 or 0.5 EV increments
• Actual aperture range depends on lens used
Noise reduction
• Long exposure (1 sec or longer)
• Optional for High ISO (default Off)
White balance
• Auto
• Daylight
• Shade
• Cloudy
• Tungsten
• Fluorescent
• Flash
• Custom
• Kelvin (2500 - 10000 K in 100 K steps)
WB bracketing
• +/-3 levels
• 3 images
• Blue / Amber or Magenta / Green bias
WB shift
• Blue (-9) To Amber (+9)
• Magenta (-9) to Green (+9)
Picture style
• Standard
• Portrait
• Landscape
• Neutral
• Faithful
• Monochrome
• User def. 1
• User def. 2
• User def. 3
Custom image parameters
• Sharpness: 0 to 7
• Contrast: -4 to +4
• Saturation: -4 to +4
• Color tone: -4 to +4
• B&W filter: N, Ye, Or, R, G
• B&W tone: N, S, B, P, G
Color space
• sRGB
• Adobe RGB
Viewfinder
• Eye-level pentaprism
• 95% frame coverage
• Magnification: 0.95x (-1 diopter with 50 mm lens at infinity)
• Eyepoint: 22 mm
• Interchangeable focusing screen Ef-A standard (2 other types optional)
• Dioptric adjustment: -3.0 to +1.0 diopter
Focusing screens
(optional)
• Ef-A (Standard Precision Matte - included)
• Ef-D (Precision Matte with grid)
• Ef-S (Super Precision Matte for easier manual focus)
Mirror
• Quick-return half mirror (transmission:reflection ratio 40:60)
• Mirror lock-up (once or multiple exposures)
Viewfinder info
• AF points
• Focus confirmation light
• ISO sensitivity
• Shutter speed
• Aperture
• Manual exposure
• AE Lock
• Exposure compensation amount
• AEB level
• Spot metering area
• Flash ready
• Red-eye reduction lamp on
• High-speed sync
• FE Lock
• Flash compensation amount
• ISO speed (while changing)
• WB correction (while changing)
• B&W mode icon
• Warnings
• Maximum burst for continuous shooting
• Buffer space
LCD monitor
• 3.0 " TFT LCD
• 230,000 pixels
• 7 brightness levels
LCD Live view
• Live TTL display of scene from CMOS image sensor
• 100% frame coverage
• Real-time evaluative metering using CMOS image sensor
• Best view or exposure simulation
• Grid optional (thirds)
• Magnify optional (5x or 10x at AF point)
• Optional Auto-focus with mirror-down / mirror-up sequence
• Two modes; normal and quieter
• Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT)
• Manual focus only
Record review
• Off
• On (histogram via INFO button)
• Display mode same as last used Play mode
• 2 / 4 / 8 sec / Hold
Playback modes
1. Single image with exposure, file number, storage slot
2. As 1 but also image count and quality
3. Detailed exposure information, thumbnail and luminance histogram
4. Less detailed exposure info.,
thumbnail, luminance and RGB histograms
Playback features
• Optional blinking highlight alert
• Optional AF point display
• Magnified view (up to 10x)
• 2x2 or 3x3 thumbnail index
• Jump (by 1, 10, 100 images / by screen or date)
• Delete / Protect
Flash
• Auto pop-up E-TTL II auto flash
• FOV coverage up to 17 mm (27 mm equiv.)
• Guide number approx 13 m / 43 ft (ISO 100)
• Cycle time approx. 3 sec
• Flash compensation +/-2.0 EV in 0.3 or 0.5 EV increments
• X-Sync: 1/250 sec
External flash
• E-TTL II auto flash with EX-series Speedlites
• In-camera flash configuration (currently only 580 EX II)
• Wireless multi-flash support
• PC Sync
Shooting modes
• Auto
• Program AE (P)
• Shutter priority AE (Tv)
• Aperture priority AE (Av)
• Manual (M)
• Auto depth-of-field
• Portrait
• Landscape
• Close-up
• Sports
• Night portrait
• Flash off
• Camera user settings 1
• Camera user settings 2
• Camera user settings 3
Drive modes
• Single
• High-speed continuous: 6.5 fps
• Low-speed continuous: 3 fps
• Self-timer: 2 or 10 sec (3 sec with mirror lock-up)
Burst buffer
• Large/Fine JPEG: 75 frames
• RAW: 17 frames
• RAW+JPEG: 14 frames
Orientation sensor
Yes
Auto rotation
• On (recorded and LCD display)
• On (recorded only)
• Off
Custom functions
24 custom functions in 4 groups
Menu languages
• English
• German
• French
• Dutch
• Danish
• Portuguese
• Finnish
• Italian
• Norwegian
• Swedish
• Spanish
• Greek
• Russian
• Polish
• Simplified Chinese
• Traditional Chinese
• Korean
• Japanese
Firmware
User upgradable
Portrait grip
• Optional WFT-E3/E3A
• Optional BP-E2N battery grip
• Optional BP-E2 battery grip
Connectivity
• USB 2.0 Hi-Speed
• Video out
• N3 type wired remote control
• PC Sync flash terminal
• Communication terminal on base for WFT-E3/E3A
Storage
• Compact Flash Type I or II (inc. FAT32)
• Canon Original Data Security Kit supported ("Original Image Data")
• No CF card supplied
Power
• Lithium-Ion BP-511A rechargeable battery (supplied & charger)
• Supports BP-511 / BP-511A / BP-512 / BP-514
• CR2016 Lithium battery (date/time backup)
• Optional AC adapter
Wireless connectivity
(optional WFT-E3/E3A)
• Mounts on base of camera and also acts as vertical grip
• Has its own BP-511A battery
• Wireless 802.11b / 802.11g
• Wireless security: WEP, TKIP/AES, WPA-PSK, WPA2-PSK
• Wireless methods: Infrastructure or Ad Hoc
• Wired ethernet (100 Base-TX)
• Transfer: FTP, PTP (remote control by computer), HTTP (view / remote fire)
• USB host capable: External hard drives, flash drives
• USB comms: GPS devices (records coordinates and altitude in image header)
Dimensions
146 x 108 x 74 mm (5.7 x 4.2 x 2.9 in)
Weight
• No battery: 740 g (1.6 lb)
• With battery: 822 g (1.8 lb)
Technologies Explained
CMOS
Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.
Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signals to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.
EOS Integrated Cleaning System
The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.
- Reduce – Internal camera mechanisms are designed to minimise dust generation. The redesigned body cap prevents dust generation through wear on the cap itself.
- Repel – Anti-static technologies are applied to the low-pass filter covering the front of the sensor so as not to attract dust.
- Remove – A Self-Cleaning Sensor Unit uses hi-frequency vibrations to shake dust from the infrared filter for a period of approximately one second after each start up. For instant shooting after power up, this feature is disabled immediately the shutter release is depressed.
Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.
Picture Style
Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style pre-sets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.
The six presets include:
- Standard – for crisp, vivid images that don’t require post-processing
- Portrait – optimises colour tone and saturation and weakens sharpening to achieve attractive skin tones
- Landscape – for punchier greens and blues with stronger sharpening to give a crisp edge to mountain, tree and building outlines
- Neutral – ideal for post-processing
- Faithful – adjusts colour to match the subject colour when shot under a colour temperature of 5200K
- Monochrome – for black and white shooting with a range of filter effects (yellow, orange, red and green) and toning effects (sepia, blue, purple and green)/li>
The User Defined Picture Style can be used to store up to three customized
pre-sets, or any of the pre-sets available for download from Canon’s web site at http://www.canon.co.jp/Imaging/picturestyle/file/index.html. Additionally, users can create their own custom Picture Style pre-sets using the supplied Picture Style Editor software.
Software
Digital Photo Professional Software
Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and the immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation and colour tone. Images can be recorded in camera with sRGB or Adobe RGB colour space. Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces.
ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a combination and applied.
Improvements in the latest version of Digital Photo Professional include three times faster image previews, an enhanced Noise Reduction tool and simultaneous batch processing of TIFF and JPEG images.
EOS Utility
The latest version of EOS Utility provides essential support for remote shooting control, camera configuration, remote Live View support and configuration of the new Original Data Security Kit OSK-E3 and Wireless File Transmitter WFT-E3 accessories. EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system – ideal for Wi-Fi transfers, or for commercial and studio photographers who want to shoot direct to a computer.
Amazon Link: Canon EOS 40D 10.1MP Digital SLR Camera
Sunday, August 19, 2007
Where is the fire?
Two firetrucks on the Upper East Side (1st Ave and 79th street). But where is the fire?
Wednesday, August 15, 2007
Wednesday, August 8, 2007
Bunch Of Cows All Over The City
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